Monday, April 13, 2009

Dia:Beacon Field Trip

The trip to Dia:Beacon was very interesting, especially seeing the artists' work that I've only ever seen before in photographs. Richard Serra's pieces that were on display were breathtaking as well as Sol LeWitt's drawings and sculptures. LeWitt's attention to detail and mathematics gave me an entirely new and unique perspective on artwork itself while being able to touch and walk through Serra's enormous sculptures allowed me to experience the artwork beyond the aesthetic. Many of the pieces had an overwhelming quality to them and the amount of space not occupied by artwork leant itself to this idea. Another artist who I found extremely interesting through his artwork was Robert Smithson. Smithson's broken glass sculpture as well as the mirror in a mountain of sand were captivating and deliberate. While I wasn't impressed by each artist, overall the trip had a very positive effect on me as an artist. I found it very educational and enjoyed learning about each artist and his or her work individually.

Monday, April 6, 2009

Poetry Project Poem and Idea

"Other Fish"
Mike Doughty

A girl with a backpack on a cellular phone sighs;
between the exhale and the first consonant
a van barrels through her. And who knows
what the boy thinks, his line slipping from her voice,
her words sucked backwards through the wire?
Two hours from now he’ll be drunk,
his slurred thoughts slobbering over motives,
why she decided suddenly to leave him
and hung up mid-word.

The phone yelps angrily from under a bus,
and she lays splayed like an asterisk
in the dreary sentence of Fourteenth Street

My idea for this project entails making every line of the poem a page in the book and every piece of text a piece of art. For instance, for the last part of the poem about the asterisk in the dreary sentence of Fourteenth Street, I may use type to make the asterisk look more violent and make the last line like a street. This idea is currently a work-in-progress and I am still working on fresh ideas to spice it up.

Tuesday, March 17, 2009

Frida Kahlo/Cindy Sherman/Cui Xiuwen Discussion

Frida Kahlo
Diego en Mi Pensamiento Art Print by Frida Kahlo
Frida Kahlo produced some very intriguing artwork that focused on the female figure, much in the same way that Cindy Sherman and Cui Xiuwen depicted women in their pieces. However, Kahlo's work is different for a number of reasons. Of the three artists, Kahlo can be considered to be the most "traditionally artistic", using oil paints and more traditional methods to produce her art. Although she was creating art in a more traditional way, her work still exhibits an interesting combination of surrealism and realism that Sherman and Xiuwen touch on less. Also, Frida Kahlo's artwork reflects a certain self-portrait style, that is much more apparent in her paintings than the other two artists' photographs. In these two ways, Kahlo's work is more overtly symbolic, and gives off a feeling of intention. Using herself in her paintings to express her suffering was almost an act of placing herself as a representative of women in society.

Cindy Sherman

Unlike Frida Kahlo, Cindy Sherman used the medium of photography to express herself. However, though they differed in method, their messages were quite similar. Both artists attempted to expose the image and role of women in society. Like Kahlo, Sherman uses herself in her work, yet not as a representative but in the different roles of women. Using the style of the "film still", she creates an atmosphere of a scene out of her photographs that implies a story or a past. While less surreal than both Kahlo and Xiuwen's artwork, her photographs display their messages clearly and each share a link between them.

Cui Xiuwen
Cui Xiuwen - Angel 13
Cui Xiuwen, uses much different artistic techniques than those of Frida Kahlo and Cindy Sherman. While both Kahlo and Sherman exhibit very traditional means of creating their artwork, Xiuwen uses digital media to give an often surreal and strange quality to her photographs. This is the link that Xiuwen shares with Frida Kahlo; both of their art has a surreal side, while still commenting on women in society. Xiuwen's "Angel" series is very interesting because it uses the same model to express a number of different roles women take on, much like Cindy Sherman's film still series. For instance, the above photograph displays an image of motherhood while others reflect innocence or family. It is clear that Xiuwen views women (or this particular woman) as pure and fragile; angelic.

Project 2: Self-Visualization Ideas

Idea No. 1: I will have three slightly different photographs of myself to use in three panels right next to one another. In each panel, I'd photoshop a different setting and clothing onto the photo to completely change it. In the middle I would have the normal photograph with a couple of effects on it, but the outer two photographs would be much more different. I was considering possibly putting myself in a World War II scene for the first photograph, then a futuristic scene for the last one. This project would reflect my imagination and thoughts of me in different positions in life.

Idea No. 2: I will have another three-panel image, yet this time it will look very much like a comic book. My art is so influenced by comic books, considering they are what I first learned art from. I would add in word bubbles, thought bubbles and different effects (there are actually tutorials online on how to do this) to make it look like a real vintage comic book. I feel as though this would reflect my artistic roots as well as describe an important source for my inspiration.

Idea No. 3: I'm not sure if this qualifies as a triptych: My idea is to Have a photograph of me holding a picture frame and then photoshop another photo of me holding a picture frame into the first frame and then do the same a third time. This would be a much more introspective project and would be commenting on the different personalities I exhibit in my life. Obviously, each picture would differ very much to reflect a different perspective.